התערוכה « זמנים מודרנים » – במוזיאון לאמנות האסלאם.

התערוכה « זמנים מודרנים » – במוזיאון לאמנות האסלאם.

אתם מוזמנים להשתתף בפתיחת התערוכה « זמנים מודרנים » שיתקיים ביום ראשון ה11 בדצמבר בשעה 19:00 במוזיאון לאמנות האסלאם.

איתי נוי – אמן ומעצב שעונים ישראלי עכשווי, המייצר שעונים במהדורות מוגבלות בסטודיו עצמאי ביפו

העתיקה. שעוניו מתאפיינים בעיצוב חדשני אשר מעלה היבטים

פילוסופיים של מושג הזמן תוך שימוש במקורות ההשראה מקוריים. בתערוכה יוצגו 24 שעונים מתוך 11 סדרות שיצר נוי בהם:  – Part  City Square – סדרה בה לוח השעון מציג תצלום של אחת מכיכרות בערים מרכזיות בעולם: כיכר המדינה בתל-אביב, כיכר הכוכב בפריס, כיכר פטרוס הקדוש ברומא וכיכר קולומבוס בניו-יורק.  Open Mind –סדרה החושפת גולגולות ראשים וחושפת את פעילות המוח המיוצגת על ידי סבב גלגלי השיניים ועל-ידי התקתוק הרציף

« Judaica Now! »: Goblets and Kiddush Cups of the Bezalel School

You are cordially invited to the opening of:

Hallel Carmel Bezalel Exhibition

artists-planet-ashdod-cafe

Curator: Yona Shapira

« Judaica Now! »:  Goblets and Kiddush Cups of the Bezalel School

Curators: Dr. Shirat-Miriam Shamir and Ido Noy

The Rishon Le-Zion Museum

Ahad Haam 2, Rishon Le-Zion

Opening: Thursday, September 29, 2016, 7:30pm

 Participating artists:

  1. Roth Merav│ Ofir Arie│ Epstein Anna│ Biran Avi│ Ben-Ari Michal│ Goldschmidt – Kay Merav│ Gilboa Rinat│ Dahan Israel│ David-Shoham Aviya │ Hooper Rory│ Herman Rosenblum Eden│ Vardi Nimrod│ Zahavi Reuven│ Zilberman Noa │ Chen Attai│ Tutnauer Iris│Tarazi Ezri│ Tripp Noa │ Cohavi Malka│ Lavian Ariel│ Matityahu Yossi │ Nir Orly │ Naim Yifat│ Sevinir Rebecca │ Segal Zelig Z »L│ Srulovitch Sari│ Friedman Amir │ Parnas Haim│ Zabari Moshe│ Rosenthal Lena│ Resheff Maya │Shur Amit

Program:

7:00-7:15pm.            Reception

7:30pm.         Welcome and opening remarks

Mr. Dov Zur – the mayor of The Rishon Le-Zion

Nava Kessler –Rishon Le-Zion Museum Director

 » Winery Club  » – « fun » , singing and dancing on the tables as in the original winery club in Rishon-Le-Zion.

The exhibition runs until March 18, 2017.

Tours of The Rishon Le-Zion Museum are available in groups to be booked in advance  in: Hebrew, English, Russian, Spanish.

 Opening hours:

Sunday, Tuesday, Wednesday, Thursday 09:00-14:00,

Monday 09:00-13:00, 16:00-19:00,

Every first Saturday of the month 10:00-14:00

             Location:

2 Ehad Haam st., corner of Kikar HaMeyasdim (the Founders’ square),

Rishon Le-Zion, 03-9598890, ronitm@hironit.co.il

The atypical career of Betsalel

Betsalel (born Jacky COHEN TANUGI) was born in Tunis in 1960. His family, of Jewish origin, immigrated to Paris in 1964 to settle in the Marais district.

It was his meeting with the Mexican painter and poet Arzola Barrera Carlos in 1992 that would push him to pursue painting.

First to enter into communication with this prolific artist traveller who drew, painted and wrote, and then as a passion that would overshadow everything else.

Arzola, for whom he would become artistic agent in Paris, would familiarize him with different painting techniques and with the preparation of media and pigments.

Their friendship, experienced as a journey of initiation, would have a profound effect on Jacky COHEN TANUGI and launch his artistic career.

In 1996, he created Arbaca at the Forum des Halles, a permanent gallery-studio concept where a long line of painters, sculptors, photographers and other artists from all of Paris would come to create in situ. His works would be exhibited there until 1999.

After the death of Arzola in 1999, having been invited to exhibit in Marseille by the Dukan gallery, Jacky Cohen Tanugi would present the synopsis of his book “Letters from a Poet to a Rogue” dedicated to the Mexican painter and poet to Radio Judaïca.

Preferring to make his mark on the margins of conventional galleries, he set up a raw gallery-studio on the forecourt of Beaubourg where he could paint directly facing the public, and where he would continually exhibit for 10 years.

His works had also been presented in the Paris gallery Image In Air since 2009.

Interested in all forms of expression, is also trained in sculpture and ceramics with Guy Honoré and collaborated with Patrizia Horvath in writing and the staging of a play commemorating the uprising of the Paris commune, and began studying digital art in 2013.

Alongside his Parisian exhibitions, in 2010 the artist went to Vietnam to exhibit in the gallery Ho Ho Ian, and to create murals in a large hotel in Mui Nê, where he would exhibit sculptures of seashells created in situ.

In 2012 he travelled to India to make a large mural for the hotel Little Italy, in Goa.

Using art as a “last line of defence against boredom” Jacky Cohen Tanugi, who would take the name Betsalel in 2016, for over two decades he would multiply the materials, techniques and media he used.

Free from any from any didactic academicism, he traces a language that has become personal and marginal in the tradition of free representation, a language he has evolved through his creations.

www.artists-planet.eu

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Nira NISENHOLTZ CHAMLA – The Passenger

Nira NISENHOLTZ CHAMLA was born in Buenos Aires in 1937 and began her career as a professional artist after
graduating from the Fernando Fader Art School in 1956.

After working four years in the studio of the painter Urruchúa , she left Argentina to live on an Israeli kibbutz.

She worked with Streichman and Propes, participating to the introductio of abstract art in Israel, and presented her first solo exhibitions in 1962.

Welcomed and recognized by the Israeli press, and subsequently by a French public, she began to acquire her international stature in the 60s.

She made a series of solo exhibitions in Israel and in France, where, in 1968, she won the Paris Prix de Peinture Art Abstrait, and exhibited in South America.

In 1966-1967, she worked with sculptor Marino Marini in his Paris studio and began to use mixed media.
In 1985, she settled in the south of France and created her own teaching workshop while continuing to exhibit.

With a mastery of gesture acquired over more than sixty years of a career while retaining a great spontaneity, Nira NISENHOLTZ CHAMLA explores a variety of techniques, ranging from abstract expressionism to massy projections or collage, and roams the borderland between abstract gesture and figurative representation.

Her signature style, however, remains this physical painting, this matter shaped by the body, testifying to the inner monologue of the artist.

Nira Nisenholtz – La Pasajera

Nira Nisenholtz nació en Buenos Aires en 1937 y comenzó su carrera de artista profesional luego de graduarse en la Escuela de Arte Fernando Fader en 1956.

Tras haber pasado cuatro años en el atelier del pintor Urruchua, deja Argentina para vivir en un kibutz israelí.

Allí trabajó junto a Streichman y Propes, precursores del arte abstracto en Israel, y presenta sus primeras exposiciones individuales en 1962.

Aclamada y reconocida por la prensa israelí, y luego por la francesa, comenzó a adquirir su renombre internacional en los años 60.

Combina las exposiciones individuales en Israel y Francia, donde obtiene el premio Pintura Arte Abstracta de Paris en 1968, y expone en Sudamérica.


De 1966 a 1968 trabaja en escultura junto a Marino Marini en su atelier parisino y comienza a emplear técnicas mixtas.

En 1985 se instala en el sur de Francia y crea su propio atelier de enseñanza, mientras continúa exponiendo.

Con su control del gesto adquirido en más de 60 años de carrera, con una gran espontaneidad, Nira Nisenholtz explora varias técnicas, que van desde un expresionismo abstracto a las proyecciones de la materia o al collage, y recorre las fronteras entre gesto abstracto y representación figurativa.

Pero su distintivo sigue siendo esa pintura física, esa materia trabajada en el cuerpo, testimonio del monólogo íntimo del artista.